Welcome to the world of C*NAQ Plus back issues!
As C*NAQ Pluses are supplements to our
regular issues, they are available only to subscribers. If you |
The overviews below just scratch the surface of
each issue's contents.
Please click on the links for more detailed descriptions!
Winter
2023 In this "Through the Editor's Eyes: A Homecoming and A Homegoing," Catherine Groves celebrates a homecoming: Saint Iodasaph has returned! Robert M. Price's "Tales of Saint Iodasaph" ran intermittently from January-March 1991 through October-December 1994. Then, a decade later, the column returned, spanning the issues through Winter 2009. And now he's back!
A homegoing tells of Wendell E. Wilkinson, a C*NAQ correspondent |
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Summer
2023 "My Figment Chases Me" is Catherine Groves' contribution to this issue. Here she tackles the faculty behind memory: is it thought, emotion or a combination of the two? As humans, we seem unable to call up the untainted emotion that had accompanied the experience; only the memory of it can be invoked. As she says "The cerebral does not accurately portray the subjective, although we often act as if it did." What a "Through the Editor's Eyes" this turned out to be! And we are treated to M. Nemour Landaiche III's "Blindly Spiral Into Light" from our October-December 1991 issue. Robert M. Price's 2011 essay, "Synchronicity, the Monadology, and the Law of Attraction," deals with the subject of "vibrational frequencies" and shares the history of studies on those subjects. |
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Winter
2022 Our reprint from C*NAQ's early days takes us back over thirty years to ask how significant have been the changes in Robert M. Price's views across the span of time. And so we offer Price's "How Much New Age Belief Can Christianity Assimilate?" which hails from our October-December 1990 issue. Catherine Groves' "Through the Editor's Eyes: An Objective Retrospection?" seeks the answer to the aforementioned inquiry and examines objectivity/subjectivity to address the distinctions between the two, suggesting the possibility that the contrasts are not actual, but rather arise from our right brain/left brain functionality. |
Summer
2022 In "Through the Editor's Eyes: The Difference Between Night and Day," Catherine Groves wonders why we seem to esteem our awake time above our slumber. Explored is the phenomenon of dreaming in her own life, in our cultural idioms, in the bible and in New Age spirituality in general, as well as in song. Robert Arias' "The Folly of Certitude: The Case for Believing in What We Know" was first published in our May-October 2007 issue. Is there "a disconnect between our method of knowledge and our method of belief"? "Are knowledge and faith fundamentally distinct faculties of the mind" or are they complementary means of understanding the universe and our place within it? And our "Letters Library" provides an expanded and thought-provoking forum for our readers' views. |
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Winter
2021 "Changes, Challenges, Confusion, Contradictions, Consternation, Conundrums and Christian*New Age Quarterly" is the title of Catherine Groves' "Through the Editor's Eyes." Discussed are the difficulties that publishing a paper-only periodical can bring, as well as a September 30, 2021 change in security certificate protocol that made certain websites appear to be dangerous when in fact it was the security protocol itself that caused the problem. In addition, Father John W. Groff, Jr.'s "July 28, 1988" and "Dreaming into the Kingdom" are reprinted in fond memory of Father Groff, who passed away in October 2021. |
Summer
2021 In "Through the Editor's Eyes: Spirituality and Suffering: The Best of Bedfellows?" Catherine Groves explores New Age and Christian views on the relationship of suffering and spirituality. N. Michel Landaiche III contributes his response to Groves' editorial in the vivid imagery of this never-before-published piece. And for our reprint from our earlier days, we present "The Fascination of Life" by Judith Eir Landaiche. |
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Winter
2020 Catherine Groves begins "Through the Editor's Eyes: The Isolation Connection: Enter the Void" by asking, "Isn't it a bit uncanny how our culture was pretty much in the throes of social distancing by our rather extreme focus on social media and other online pursuits and how nature then threw a pandemic at us?" Discussed are other types of isolation as well from illness to incarceration. And could isolation and the void have something in common? We continue with a much-beloved piece on the void: "Black Hole Sun" by Robert M. Price. And N. Michel Landaiche III and Catherine Groves offer a tongue-in-cheek "Commandments for the New Normal" with intriguing graphics and playful, "refreshed" commandments. |
Summer
2020 "The Sixth Sense and the Signposts" is Catherine Groves' "Through the Editor's Eyes" for this issue. Here she shares her own way of differentiating faith and belief. Groves maintains that we often hold in our heads incompatible beliefs and, moreover, that we actually can choose our beliefs. Continuing the theme is Robert Arias' "Distinguishing Faith from Belief." The latter was first published in our April-June 2005 Christian*New Age Quarterly. |
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Winter
2019 "Through the Editor's Eyes: Welcome to Cognitive Dissonance!" by Catherine Groves explores an uncomfortable psychological condition evoked when a person encounters beliefs, ideas or values that call into question one's own. The easiest way to circumvent such discomfort is to avoid meeting up with different perspectives in the first place. But, Groves asks, how else are we to learn? Indeed, how else can we more intimately understand what we profess if we barricade ourselves from anything that, by contrast, can help sharpen our own assumptions? Then M.J. Makransky presents "Similarities," which examines Christian and New Age shared beliefs that may superficially seem to conflict. |
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Summer
2019 Catherine Groves' "Through the Editor's Eyes: Random Thoughts" explains the theme of this Plus: "myriad are the ways to look at the same side of a coin." This is clearly evidenced in the two features of the issue: "Neelix Agonistes" by Robert M. Price and "Neelix at the Ready" by Groves. Both pieces look at the identical Star Trek: Voyager episode, but draw quite different conclusions. Thereby brought to light are fresh insights on how discrete beliefs arise, even when the object examined is the same. |
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Winter
2018 In "Spirituality and Stress," Catherine Groves explores the impact of spirituality on stress. Robert M. Price's "Fields Unknown: A Thought Experiment in Extraterrestrial Evangelism" suggests that, "even as a purely theoretical inquiry," discourse on extraterrestrial evangelism offers "new perspectives from which to view old problems." |
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Summer
2018 Catherine Groves' "Are We Fake News?" has little to do with politics, but instead zeroes in on conditioned self-images. And Robert Arias offers "On the Limitations of Belief Systems: A Meditation on Gödel," which asks "what if we were able to prove no formal system is complete in and of itself?" |
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Winter
2017 Ah, the to-do list! We all have them, and while they can provide a sense of order, they tend, for some, to become intimidating. Catherine Groves explores the topic in her "Through the Editor's Eyes: What To Do Now?" Meanwhile, N. Michel Landaiche III adds a bit of levity to the subject with his tongue-in-cheek graphic, "The Wisdom of the To-Do List." Then, for our blast from the past, Robert Arias treats us to "Jesus as Rorschach," first published in our January-March 2005 C*NAQ. |
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Summer
2017 Catherine Groves' "Through the Editor's Eyes: The End Unravels the Beginning" offers an unusual spin on envisioning aging. When we are little, we have much to learn, for examples: gurgling noises are replaced by words and crawling gives way to walking. But the very skills we worked so hard to gain are the very ones that tend to fade in our golden years. Just as the child is meant to grow, the senior is meant to relinquish, accepting what we might otherwise call "losses" as simply a part of our human nature. In addition, Father John W. Groff, Jr., shares his journey after suddenly losing everything he held most dear in "Morning and Midnight in the Garden of Eden," originally published in our April-June 2003 issue. |
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Winter
2016 Might it be possible "that the stories we tell about ourselves are far more self-defining than the life we do, in fact, lead?" That is the question Catherine Groves explores in "Through the Editor's Eyes: Sounding the Self-Myth." And Robert Arias' "Gasping in the Canyon," originally published in our July-September 2004 issue, explores the significance of suffering in the process of spiritual growth all against the backdrop of the Grand Canyon. |
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Spring
2016 After Catherine Groves discusses the fundamental shift in the way people communicate today, she announces Christian*New Age Quarterly's social media presence in "Through the Editor's Eyes: C*NAQ on Facebook? Really?" Then Frederick Moe shares his poignant and personal spiritual journey in "God of My Father." And, for our blast from the past, we find Robert Arias "Thirsting in the Vortex," which was first published in Christian*New Age Quarterly's April-June 2004 issue. |
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Autumn
2015 Catherine Groves opened with "Through the Editor's Eyes: What's the Matter with Me?" a somewhat tongue-in-cheek, somewhat deeply serious look at the challenges of running Christian*New Age Quarterly without the help of Judith Eir Landaiche, C*NAQ's long-time Editorial Assistant. In honor of the late Judith, her "Madam, Can You Stand Some Change?" served as our featured reprint. Two more blasts from the past "A Tale of Saint Iodasaph: The Scripture is Fulfilled" by Robert M. Price and Groves' "Through the Editor's Eyes," the latter from our October-December 1991 issue made for an interesting array of takes on the topic of transformation. |
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Spring
2015 In the midst of a season of work on this issue, Judith Eir Landaiche, C*NAQ's long-time Editorial Assistant, suddenly passed away, as Catherine Groves describes in "Go, So They Can Dance." Groves also offers, "What's the Matter with You?" (and it's not about what readers might expect). Our featured reprint, "Confessions of a Christianophobe" by N. Michel Landaiche, III, hails from our October-December 1992 issue and wraps up this Plus. |
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Autumn
2014 Is a departed loved one still "here" or gone forever? In "The Afterlife," Catherine Groves wonders about our continued existence upon death. Also featured is the reprint of Robert M. Price's "The Christ Myth and the Christian Goddess," first published in our October-December 1992 issue. |
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Spring
2014 In her delightful "Through the Assistant Editor's Eyes," Judith Eir Landaiche offers thoughts on revisiting former years and exploring the wealth of experience they bring. Looking back to the early years of C*NAQ, she describes the growth-spurring challenges of dialog that serve as "A Transformative Crucible." In addition, Saint Iodasaph returns! Our featured reprint this time around is Robert M. Price's "Tales of Saint Iodasaph: The Transformation Body." |
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Autumn
2013 As Catherine Groves sees it, the pace of technology is driving the cultures of our world into an ever-accelerating frenzy, and we are apparently quite deeply enveloped in the phenomenon. Indeed, it would seem time itself is speeding up. Groves' "Through the Editor's Eyes: The Further Faster Frenzy" explores how this is impacting us as a species and what it could mean for our spiritual journey. Our featured reprint for this issue is the Reverend Daniel B. Hahn's "Brainwaves of Reason, Brainwaves of Spirit," originally published in our January-March 1997 issue. |
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Spring
2013 In "The Cast," Catherine Groves shares her reflections on the iconic cast of characters from The Andy Griffith Show as a backdrop to discussing how the best writers for C*NAQ often arise from within the readership and go on to become familiar regulars. This issue also presents two reprints from past issues: "Proposing A Bridge When The Other Sees No Divide," by N. Michel Landaiche, III, and "Afterthoughts," by Catherine Groves. |
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Autumn
2012 In "The End Always Nears Until It Comes," Catherine Groves juxtaposes the imminent end of the world that some had believed would occur on December 21, 2012 with the personal end we face as we journey through what Jane Fonda calls "Life's third act." Running with the theme, the issue replays the Reverend Daniel B. Hahn's "Peek" at Ram Dass' Still Here: Embracing Aging, Changing, and Dying from our January-March 2001 issue. |
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Spring
2012 Catherine Groves explores the impact we might expect eBook technology to have, especially on alternative spiritualities, in "To e or not to e." And in celebration of the release of Dr. Robert M. Price's eBook Biblical Buddhism: Tales and Sermons of Saint Iodasaph, we revisit the origins of the venerable Saint in "A Sermon of Saint Iodasaph: The Great Commandment" from the January-March 1991 issue of C*NAQ. |
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Autumn
2011 Catherine Groves shares an eye-opening discussion about the singularity of emotion and the oneness of us all in "A Talk with my Son." Featured, as our reprint from C*NAQ's early days, is "Scapegoat, Redeemer, Traveler: A Perspective on the Shaman," by Nemour Landaiche. |
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Spring
2011 In "Having The Last Word," Catherine Groves explores the importance of stories in our lives, drawing from the rich plenty of Star Trek. Our featured blast from the past is Father John W. Groff, Jr's "Three Funerals and a Wedding" a delightfully humorous reflection on liturgical blunders. |
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Autumn
2010 Subsequent to its release, "The Desecration of Ground Zero" by Catherine Groves received outstanding coverage by independent reviewers; in this editorial, Groves examines the fear, ignorance and rage that ignited the uproar against building a Moslem house of worship near the site of the 9/11 Twin Towers attack. Also features "Planet Alabama Spinning Toward the End" by Father John W. Groff, Jr. |
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Spring
2010 Features "A Way of Words" by Catherine Groves, as well as a favorite blast from the past: "... so we can teach them peace and union" by Father John W. Groff, Jr. |
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Autumn
2009 Includes "And So It Comes Full Circle" by Catherine Groves, as well as a featured reprint "While the Editor Wasn't Looking" by Judith Eir Landaiche from Christian*New Age Quarterly's archives. |
Early Winter
2009 Our very first C*NAQ Plus includes "An Uneasy Road, but Back on Track (I think)" by Catherine Groves, with featured reprint "The Dance of the Platypus, Sister Moon, and All That Stuff (God Isn't Lonely Anymore)" by Edward Kline. |
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